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Death in Venice

November 20, 2023 - by Robert Shepherd / Sony Creators
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A Haunting in Venice

September 15, 2023 - by Matt Zoller Seitz / RogerEbert.com
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Clubhouse Conversations — Belfast

January 2022 - by American Cinematographer
Belfast
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How Kenneth Branagh’s ‘Belfast’ Shows Events Through the Eyes of a Child

November 12, 2021 - by Jazz Tangcay / Variety
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Hollywood stars join Hamilton to celebrate Behind the Camera Awards

November 16, 2021 - by Rob Corder / WATCHPRO
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‘Belfast’ cinematographer Haris Zambarloukos explains decision to shoot in black-and-white

November 19, 2021 - by Christopher Rosen / GoldDerby
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Filming ‘Belfast’ Meant Scaling Down for Emotion, Haris Zambarloukos Tells Camerimage Film Festival

November 20, 2021 - by Will Tizard / Variety
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Cinematographers for ‘Belfast,’ ‘No Time to Die,’ ‘The Power of the Dog’ reveal best advice they ever received

November 19, 2021 - by Christopher Rosen / GoldDerby
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Headroom, Banding and General F-Stops: DP Haris Zambarloukos on Shooting Kenneth Branagh’s Belfast

November 23, 2021 - by Matt Mulcahey / Filmmaker
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Making of ‘Belfast’: How Kenneth Branagh’s Film Was Made in Between Lockdowns

November 29, 2021 - by Alex Ritman / The Hollywood Reporter
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Telluride Awards Analysis: Kenneth Branagh’s ‘Belfast,’ a Favorite of Critics and Audiences, Has Major Oscar Potential

September 5, 2021 - by Scott Feinberg / The Hollywood Reporter
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Riddle of the Sphinx

2020 - by Adrian Pennington / British Cinematographer
Death on the Nile (2020)
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All Aboard

2017 - by British Cinematographer
Murder on the Orient Express (2017)
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